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Screen Surface curated by Geoffrey Weary, Brenda May Gallery 4 - 29 August 2015

SCREEN SURFACE Curated by Geoff Weary

SCREEN SURFACE Curated by Geoffrey Weary Artists: Frazer Bull-Clark :: Katherine Berger :: Jing Feng (Sophy Feng) :: Graham Burchett :: Harley Ives BRENDA MAY GALLERY :: 2 Dank Street Waterloo NSW Australia 2017 :: 4 – 29 August 2015 http://www.brendamaygallery.com.au/details.php?exhibitionID=350 “It is easy to fall into old habits of interpretation. This is particularly true of screen-based artworks when they resemble…

SCREEN SURFACE Curated by Geoff Weary

SCREEN SURFACE Curated by Geoff Weary Artists: Frazer Bull-Clark :: Katherine Berger :: Jing Feng :: Graham Burchett :: Harley Ives BRENDA MAY GALLERY :: 2 Dank Street Waterloo NSW Australia 2017 :: 4 – 29 August 2015 http://www.brendamaygallery.com.au/details.php?exhibitionID=350 “It is easy to fall into old habits of interpretation. This is particularly true of screen-based artworks when they resemble a narrative…

Worship: Sculpture: Dance: a digital film by Tatiana Pentes: special thanks Geoffrey Weary

WORSHIP: SCULPTURE: DANCE

Tatiana Pentes, WORSHIP SCULPTURE DANCE, Master of Art (Media Arts), CoFa, UNSW, 1995 [download paper] Figure 1 Digital montage from A Few Small Snaps digital film artwork by Tatiana Pentes ABSTRACT This study documents the production of a set of digital film artworks installed in the College of Fine Arts gallery as the culmination of the Master of Art (Film,…

CRUEL BEAUTY: The Broken Column: The self-portraits of Frida Kahlo

CRUEL BEAUTY The articulation of ‘self’, ‘identity’ and the creation of an innovative feminine vocabulary in the self-portrait paintings of Frida Kahlo. A dissertation submitted in fulfillment of the requirements of the Master of Letters (Art History & Theory/ Gender Studies), University of Sydney, 1998 (with Merit), book published VDM Verlag Germany, 2009. [download book Sydney eScholarship Repository] Frida Kahlo,…

Haefliger Cottage: Hill End Artist Residency: Photo: Geoffrey Weary & Tatiana Pentes

Geoff Weary’s film ‘An Eye for An I’, The Third Wave: Two Decades of the Hill End Artists Exhibition 1 Aug – 28 Sept 2014 Bathurst Regional Art Gallery

‘An Eye for An I’, film on video 3mins Writer/Director/Producer: Geoffrey Weary Model: Tatiana Pentes The Third Wave: Two Decades of the Hill End Artists in Residence Exhibition 1 Aug – 28 Sept 2014 Bathurst Regional Art Gallery 1 AUGUST – 28 SEPTEMBER 2014 http://www.bathurstart.com.au/images/stories/2014/slot_4/3rd_wave_Room_Sheet.pdf “…landscape architect and film-maker, Gavin Wilson, was researching the artistic heritage of Hill End and…

Blowin At The Rocco: Photography: Tatiana Pentes & Geoffrey Weary

BLOWIN’ AT THE ROCCO: Saturday Night: A Jazz feature

BLOWIN’ AT THE ROCCO: Saturday Night An Australian Jazz Interactive Treatment for Broadband funded by Screen Australia (AFC/ Screen Australia) New Media Writer/Director TATIANA PENTES Photography/ Cinematography GEOFFREY WEARY Original Jazz Music SERGEI ERMOLAEFF Dramaturg Prof BRUCE JOHNSON 1. STORY OUTLINE Expermimental Online Documentary BLOWIN’ AT THE ROCCO: Saturday Night is an experimental interactive work that seeks to exploit and…

GeoffreyWeary FLOATING WORLD, British School At Rome

Catalogue Essay, ‘Geoffrey Weary’s Floating World’, ACADEMICI, Roma, 2005

Catalogue Essay, ‘Geoffrey Weary’s Floating World’, ACADEMICI: Academy Gallery, British School at Rome, The Australia Council Visual Arts/Crafts Board Rome Studio Residency 1999-2004, Monash University, Australia Council for the Arts 2005 p38-39 ISBN: 0-9756060-7-7 Text: Tatiana Pentes MONASH Catalogues: http://www.artdes.monash.edu.au/gallery/catalogues.php# Geoff Weary, prints 8 and 9 from the series: TIME WAS…, 2003, digital prints on photographic paper, 200cm x 100cm…

The CosmoShanghai Project: Image Tatiana Pentes

The CosmoShanghai Project

The CosmoShanghai Project http://www.cosmoshanghai.net/ The CosmoShanghai Project http://www.cosmoshanghai.net/ CosmoShanghai is a growing online portal that launches digital research projects exploring Shanghai’s re-emergence as the cosmopolitan metropolis from its glorified memorial status in the 1930s – part entrepot, part settlement, part escape- that finds expression in the multiple contradictions of the struggle over the preservation and development of Hongkou and other…